- The devastating rage virus that annihilated the British Isles mysteriously resurfaces in Goya Award-winning director Juan Carlos Fresnadillo's sequel to the Danny Boyle-directed horror hit that terrified audiences worldwide by offering a breathless new take on the familiar zombie mythos. Six months has passed since the rage virus caused British residents to indiscriminately murder and destroy everything in their paths, and now the U.S. military has declared victory in the war against the rapidly spreading infection. As the reconstruction process gets underway and the first wave of refugees return to British shores, a family separated by the devastation is happily reunited. During the initial outbreak, Don Harris (Robert Carlyle) and his wife Alice (Catherine McCormack) sat holed up with a small band of survivors in a remote farmhouse. Their kids well out of harm's way at a remote boarding school, Don and Alice's outlook for the future is decidedly bright until all hell breaks loose in the country and Don just barely manages to escape the clutches of the infected. The joy of later seeing his son Andy (Mackintosh Muggleton) and daughter Tammy (Imogen Poots) as repopulation efforts get underway in London is short-lived, however, when an innocent bid to reconnect with the past sets into motion a tragic series of events. Now, just as society struggles to sort through the rubble and rebuild London from the ground up, the virus that nearly destroyed a nation strikes back with a vengeance. Jeremy Renner, Rose Byrne, and Harold Perrineau, Jr. co-star in the frightful sequel, which highlights the dangers of declaring victory in the calm before the storm. ~ Jason Buchanan, Rovi
- Menu
Disc #1 -- 28 Weeks Later
Play Movie
Scene Selection
Language Selection
Languages: English 5.1 Dolby Surround
Languages: English for the Visually Impaired
Languages: French Dolby Surround
Languages: Spanish Dolby Surround
Languages: Commentary by Juan Carlos Fresnadillo and Enrique Lopez Lavigne
Subtitles: English
Subtitles: Spanish
Subtitles: None
Special Features
Commentary by Juan Carlos Fresnadillo and Enrique Lopez Lavigne: On
Commentary by Juan Carlos Fresnadillo and Enrique Lopez Lavigne: Off
Deleted Scenes With Optional Commentary by Juan Carlos Fresnadillo and Enrique Lopez Lavigne
Deleted Scenes With Optional Commentary by Juan Carlos Fresnadillo and Enrique Lopez Lavigne: On
Deleted Scenes With Optional Commentary by Juan Carlos Fresnadillo and Enrique Lopez Lavigne: Off
The Canteen
Andy's Dream
Play All
Code Red: Making of 28 Weeks Later
The Infected
Getting Into the Action
28 Days Later: The Aftermath: Stage 1 "Development"
28 Days Later: The Aftermath: Stage 3 "Decimation"
Theatrical Trailer
Trailers: 28 Days Later
Trailers: The Hills Have Eyes 2
Trailers: Lake Placid 2
Trailers: Pathfinder
Trailers: Perfect Creature
Trailers: Wrong Turn 2
- Chapters
Disc #1 -- 28 Weeks Later
1. Safe and Sound
2. Attack
3. Help Us
4. Listen
5. New Arrivals
6. District One
7. Reunited
8. What Happened?
9. Practical Joke
10. Bad Dream
11. Home
12. Survivor
13. Carrier
14. Code Red
15. Lockdown
16. Panic on the Streets
17. No Execeptions
18. Step Three
19. Firebombing
20. Valuable Lives
21. Death by the Blade
22. Gas
23. Doyle's Heroism
24. Night Vision
25. Survival
26. Tammy's Lie
27. Just Us
28. Days Later/End Titles
- Features
Commentary by director/co-writer Juan Carlos Fresnadillo and producer/co-writer Enrique López Levigne
Deleted scenes with optional commentary by Juan Carlos Fresnadillo and Enrique López Levigne
Code Red: The Making of 28 Weeks Later featurette
Getting Into the Action featurette
28 Days Later - The Aftermath:
Stage 1 "Development" animated graphic novel
28 Days Later - The Aftermath:
Stage 3 "Decimation" animated graphic novel
Theatrical trailer
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Directors
Juan Carlos Fresnadillo
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Producers
Andrew Macdonald
Enrique Lopez Lavigne
Allon Reich
Enrique Lopez-Lavigne
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Composers (Music Score)
John Murphy
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Co-Producers
Bernard Bellew
Bernard Murphy
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Editors
Masahiro Hirakubo
Chris Gill
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Screen Writers
Enrique Lopez Lavigne
Rowan Joffe
Juan Carlos Fresnadillo
Jesus Olmo
E.L. Lavigne
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Others
Art Director - Dennis Schnegg
Casting - Shaheen Baig
Cinematographer - Enrique Chediak
Composer (Music Score) - John Murphy
Costume Designer - Jane Petrie
Digital Effects - Framestore
Digital Effects - Animal Logic Film
Digital Effects - The Mill
Digital Effects - Rising Sun Pictures
Digital Effects - Prime Focus
Digital Effects - Rainmaker Animation and Visual Effects UK
Digital Effects - Senate Visual Effects
Digital Effects - Rushes Post Production
Digital Effects - LipSync Post
Digital Effects - Chocolate Lab
Executive Producer - Danny Boyle
Executive Producer - Alex Garland
First Assistant Director - Toby Ford
Makeup - Konnie Daniel
Makeup Special Effects - Dave Bonneywell
Makeup Special Effects - Anthony Parker
Production Designer - Mark Tildesley
Sound/Sound Designer - Glenn Freemantle
Sound/Sound Designer - Simon Hayes
Supervising Art Director - Patrick Rolfe
Visual Effects Supervisor - Sean Mathiesen
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- I Am Legend
- Will Smith
- (3PC, WBK, WS, Coll, Gift, RPKG, Digc)
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- I Am Legend
- Will Smith
- (3PC, WBK, WS, Coll, Gift, RPKG, Digc)
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The infected are back, and with them the core creative forces behind the surprise international hit
28 Days Later, as director
Juan Carlos Fresnadillo picks up the torch originally sparked by
Danny Boyle to offer a true rarity in the world of horror sequels -- a film that nearly eclipses its predecessor on all counts. While die-hard
Boyle fans may initially balk at this sequel due to the fact that the visionary director opted not to reprise his role at the helm, a quick glance at the credits reveals that not only did he remain onboard as executive producer, but original producer
Andrew Macdonald, original writer
Alex Garland, original editor
Chris Gill, and even original composer
John Murphy -- whose swelling score effectively drives home the emotion of the smaller, quieter moments while seamlessly sweeping the viewer up in the action scenes -- all saw fit to remain on board in order to keep the machine running smoothly. Throw into the mix a promising young director whose debut feature
"Intacto" drew impressive reviews from international critics, and you have the perfect recipe for a sequel that impressively maintains the aesthetics and intimate feel of the original while subtly expanding on the mythology in a manner that, while impossible to discuss without resorting to spoilers, feels both fluid and organic. Most fans of the original will admit that while they do indeed like the film it does have its fair share of problems -- a reality that
Boyle himself seemed to acknowledge while laughingly dismissing some of his more far-fetched ideas in the DVD extras -- and though the sequel too has a handful of eyebrow-raising issues, the overall result is a thinking person's "zombie apocalypse" flick that maintains an impressive emotional core while never losing sight of its genre roots.
As a filmmaker
Fresnadillo's abilities may not yet be honed to the fine point that
Boyle's were by the time he took on the infected, though for his sophomore outing the Goya-winning director does display an impressive ability to conjure convincing performances from his players;
Robert Carlyle in particular hits all the right notes as a survivor of the original outbreak whose fate is sealed by a particularly reprehensible act of cowardice, with
Mackintosh Muggleton and
Imogen Poots always convincing as his skeptical and fiercely independent children. Whereas
Fresnadillo could be accused of relying too much on the eye-straining grand mal school of camera jostling when things take a turn for the worst and the infection reemerges, it's hard to argue that the technique effectively conveys the chaos that characters trapped between trigger-happy snipers and teeth-gnashing ragers would be feeling as bullets whizzed by their heads and adrenaline-fueled cannibals storm the streets killing anything that moves. Even when his technique is more restrained, however,
Fresnadillo's uncanny ability to make viewer believe they have a grasp on the situation before pulling back to reveal that things aren't quite what they seem goes a long way in driving home the disorienting volatility of such an explosive scenario. In terms of screenwriting
Fresnadillo (along with collaborators
Enrique Lopez Lavigne,
Jesus Olmo, and
Rowan Joffe) do occasionally rely too much on exposition, though that fairly minor shortcoming is ultimately offset by the creation of characters that are identifiable and sympathetic, and unrelentingly tense situations that truly fray the nerves. Ever since
Night of the Living Dead "zombie apocalypse" films have been rife with political subtext, and while it will be clear to many precisely what the screenwriters are getting at when the new arrivals pull into an eerily quiet London where U.S. soldiers stand at the ready on every street corner,
28 Weeks Later refuses to go for the obvious. The military forces in charge of reestablishing society more aren't evil, self-serving occupiers as much as they are inept, well-intending protectors who are ultimately consumed by a situation they just can't wrap their heads around. The subtle commentary on life within a "surveillance society," while never really explored in such detail, also provides compelling food for thought.
In the end
28 Weeks Later is a film that's likely to be as polarizing for many viewers as it's predecessor was due to its outspoken politics and unique experimentation with genre standards, yet for those seeking out a stripped down summer frightener that doesn't take three hours to make its point, impressively expands on the ideas of the original while upping the scale and terror ante, and actually attempts to stimulate thought rather than insulting the viewer's intelligence, there's quite a bit to like about this vicious little summer screamer. ~ Jason Buchanan, Rovi