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Art Director - Dean Tavoularis
Cinematographer - Burnett Guffey
Cinematographer - Vincent Saizis
Composer (Music Score) - Charles Strouse
Costume Designer - Theadora Van Runkle
First Assistant Director - Jack N. Reddish
Makeup - Robert Jiras
Production Manager - Russ Saunders
Special Effects - Danny Lee
The turning point from Hollywood's moribund studio system to the impending youthquake of the 1970s, Arthur Penn's Bonnie and Clyde (1967) audaciously broke conventions, upset critics, and revealed a young audience's box office power. With its unstinting violence and sympathy for the glamorous, gun-toting criminals, Bonnie and Clyde sharply divided critics over whether it was strikingly innovative or reprehensibly amoral and nihilistic. The increasingly rebellious youth audience, however, embraced the doomed heroes, and both Time and Newsweek recanted their initial negative negative reviews as other critics continued to savage it. Though Warner Bros. had dumped the film, star Warren Beatty badgered the studio into a second release. Bonnie and Clyde grossed over $20 million, landing on the cover of Time as the harbinger of the "New Cinema" as Theadora Van Runkle's costumes inspired a 1930s fashion craze. Heavily influenced by the European art movies of the early 1960s, writers Robert Benton and David Newman intended to make a revisionist gangster movie in the spirit of the French New Wave, to be directed by Jean-Luc Godard or François Truffaut; the film openly sympathized with its glamorous gangsters, who became analogues of hip 1960s counter-culture protestors, and its tone veered unexpectedly between slapstick comedy and serious consequences, galling more conventional critics who wanted the film to enforce a clear morality. Faye Dunaway's strong-willed Bonnie and Beatty's impotent Clyde were hardly a traditional couple, and their gory demise in rapid-fire, slow motion montage went far beyond previous Hollywood bloodshed. Nominated for ten Oscars including Best Picture, Bonnie and Clyde won for Burnett Guffey's cinematography and Estelle Parsons as Supporting Actress. The impact of its violence and youth appeal was confirmed by the ensuing successes of THE WILD BUNCH and Easy Rider, while outlaw couple films from Badlands (1973) to THELMA AND LOUISE (1991) have ensured its continuing legacy. ~ Lucia Bozzola, Rovi
Arthur Penn : Best Film - Any Source - British Academy of Film and Televisio, 1967
Faye Dunaway : Most Promising Newcomer - British Academy of Film and Televisio, 1967
Arthur Penn : Best Director - Directors Guild of America, 1967
Arthur Penn : Best Director - Hollywood Foreign Press Association, 1967
Warren Beatty : Best Performance by an Actor in a Motion Picture - Drama - Hollywood Foreign Press Association, 1967
Michael J. Pollard : Best Performance by an Actor in a Supporting Role in a Motion Picture - Hollywood Foreign Press Association, 1967
Faye Dunaway : Best Performance by an Actress in a Motion Picture - Drama - Hollywood Foreign Press Association, 1967
David Newman : Best Screenplay - Hollywood Foreign Press Association, 1967
Robert Benton : Best Screenplay - Hollywood Foreign Press Association, 1967
Michael J. Pollard : New Star of the Year - Male - Hollywood Foreign Press Association, 1967
Gene Hackman : Best Supporting Actor - National Society of Film Critics, 1967
David Newman : Best Screenplay - New York Film Critics Circle, 1967
Robert Benton : Best Screenplay - New York Film Critics Circle, 1967
Warren Beatty : Best Actor - Academy of Motion Picture Arts and Sc, 1967
Faye Dunaway : Best Actress - Academy of Motion Picture Arts and Sc, 1967
Burnett Guffey : Best Cinematography - Academy of Motion Picture Arts and Sc, 1967
Theadora Van Runkle : Best Costume Design - Academy of Motion Picture Arts and Sc, 1967
Arthur Penn : Best Director - Academy of Motion Picture Arts and Sc, 1967
David Newman : Best Original Screenplay - Academy of Motion Picture Arts and Sc, 1967
Robert Benton : Best Original Screenplay - Academy of Motion Picture Arts and Sc, 1967
Warren Beatty : Best Picture - Academy of Motion Picture Arts and Sc, 1967
Gene Hackman : Best Supporting Actor - Academy of Motion Picture Arts and Sc, 1967
Michael J. Pollard : Best Supporting Actor - Academy of Motion Picture Arts and Sc, 1967
Estelle Parsons : Best Supporting Actress - Academy of Motion Picture Arts and Sc, 1967
