In a career spanning over 50 years, the venerable Rolando Panerai has not only been one of the most admired and popular baritones of his time, but one of the most versatile. Witness the disparate roles he has sung: the High Priest from Saint-Saëns' Samson et Dalila, Paolo (Verdi's Simon Boccanegra), Ford (Verdi's Falstaff), Svejk (Guido Turchi's Il buon soldato Svejk), Mathis (Hindemith's Mathis der Maler), and many more, including Mozart's and Rossini's Figaro. Though he has lacked a measure of power in his voice, he has always possessed an attractive tone and excellent dramatic skills. Panerai has appeared in most of the major operatic venues in the world and on numerous recordings, again in varied repertory that bespeaks his seemingly inherent versatility. He has sung in more than 150 operas and, not surprisingly, with many of the operatic greats, including Callas, Tebaldi, Corelli, Bergonzi, di Stefano, Pavarotti, and countless others. As Panerai entered the new century he was not as active as in the past, but still appearing regularly on the stage, including at the Paris Opera, Glyndebourne, and Frankfurt Staatsoper. He has recorded for a variety of labels, including EMI and Decca. Older performances have been reissued on Opera d'Oro, Urania, Andante, and several other labels.

Rolando Panerai was born in the Italian town of Campi Bisenzio, near Florence. After studying with Vito Frazzi in Florence and with Giulia Tess in Milan, he won first prize in the Spoleto-based Adriano Belli Competition. He debuted in 1946 in Florence singing Enrico Ashton from Donizetti's Lucia di Lammermoor.

Panerai's La Scala debut came in 1951, when he sang the High Priest with great success. In his early career Panerai not only distinguished himself with memorable performances, but he took chances: when he sang Ruprecht from Prokofiev's The Fiery Angel at the 1955 Venice music festival, it was the first stage performance of the opera, a work virtually unknown at the time, even in Russia. Other important debuts followed, including at Salzburg (1957), San Francisco (1958), and Covent Garden (1960). By 1970 he was a well-known recording artist and had worked with numerous celebrated conductors like Serafin, Sabata, Giulini, and Karajan, and would sing under Muti, Sawallisch, and many others from the younger generations. In June 2000 the indefatigable Panerai appeared in the Zubin Mehta-led international television broadcast production of Verdi's La Traviata singing Giorgio Germont. ~ Robert Cummings, Rovi