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Disc #1 -- Country Strong
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Audio: English
Audio: French
Subtitles: English
Subtitles: English SDH
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Special Features
Deleted Scenes
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Beau's Mother
Kelly & Beau Talk
Chiles' Dressing Room
Beau Says Goodbye to Parents
"Shake That Thing" Extended Perfomance
Original Ending
"Country Strong" by Gwyneth Paltrow - Music Video
"A Little Bit Stornger" by Sara Evans - Music Video
Country Strong Soundtrack
Previews
How Do You Know
Burlesque
Soul Surfer
The Tourist
Bloodworth
- Chapters
Disc #1 -- Country Strong
1. Chapter 1 [9:46]
2. Chapter 2 [8:03]
3. Chapter 3 [4:53]
4. Chapter 4 [7:11]
5. Chapter 5 [6:43]
6. Chapter 6 [5:26]
7. Chapter 7 [7:00]
8. Chapter 8 [6:59]
9. Chapter 9 [5:28]
10. Chapter 10 [4:19]
11. Chapter 11 [4:36]
12. Chapter 12 [5:15]
13. Chapter 13 [5:34]
14. Chapter 14 [5:56]
15. Chapter 15 [7:56]
16. Chapter 16 [8:29]
- Features
Original ending
Deleted scenes
"Shake That Thing" extended performance with Gwyneth Paltrow
"Country Strong" music video featuring Gwyneth Paltrow
"A Little Bit Stronger" music video by Sara Evans
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Directors
Shana Feste
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Producers
Jenno Topping
Tobey Maguire
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Composers (Music Score)
Michael Brook
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Editors
Carol Littleton
Conor O'Neill
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Screen Writers
Shana Feste
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Others
Art Director - John Jensen
Assistant Editor - Ofe Yi
Assistant Editor - Seth Clark
Associate Producer - George Flynn
Casting - Laura Rosenthal
Casting - Liz Dean
Chief Lighting Technician - Mike G. Moyer
Cinematographer - John Bailey
Composer (Music Score) - Michael Brook
Costume Designer - Stacey Battat
Costumes Supervisor - Steven K. Randolph
Department Head Hair - Elizabeth Martinelli
Department Head Makeup - Sherri Laurence
Executive Producer - Meredith Zamsky
First Assistant Director - Anthony Little
Hair Styles - Joani Yarbrough
Hair Styles - Patty Androff
Hair Styles - Melinda Dunn
Key Costumer - Rhonda Keaton
Key Grip - Art Bartels
Key Hairstylist - Chris Clark
Key Make-up - Linda Boykin-Williams
Leadman - Tom Kerns
Location Manager - Madeline Bell
Makeup - Jorjee Douglass
Makeup - Jennifer Albada
Makeup - Sandy Jo Johnston
Music Editor - Fernand Bos
Music Editor - Philip Tallman
Musical Direction/Supervision - Randall Poster
Production Coordinator - Meredith G. Meade
Production Designer - David James Bomba
Production Supervisor - Jennifer Blair
Properties Master - Cynthia Wynn
Re-Recording Mixer - Steve Maslow
Re-Recording Mixer - Rick Kline
Re-Recording Mixer - Gregg Landaker
Script Supervisor - Rebecca Robertson-Szwaja
Second Assistant Director - Scott Rorie
Set Decorator - Ruby Guidara
Special Effects Supervisor - Bob Shelley
Special Effects Supervisor - Terry Arthur
Stunts Coordinator - Ian Quinn
Stunts Coordinator - Jack Gill
Supervising Sound Editor - Kami Asgar
Supervising Sound Editor - Sean McCormack
Unit Production Manager - Meredith Zamsky
Visual Effects - Zoic Studios
Visual Effects Producer - Raoul Bolognini
Visual Effects Supervisor - Rocco Passionino
Voice Casting - Ranjani Brow
Voice Casting - Wendy Hoffman
Like rock fans, country music fans respond to authenticity -- even if it's totally faked. When
Country Strong, the sophomore effort of writer/director
Shana Feste, stays inside a crumbling but not yet dead marriage, it feels like the real deal. Sadly, its clichéd ending feels like the paint-by-numbers conclusion that it is.
The movie opens with country superstar Kelly Canter (
Gwyneth Paltrow) being pulled out of rehab by her husband/manager, James (
Tim McGraw). He wants to get her back on tour so she can rebuild her tabloid train-wreck public image. She demands they bring along Beau Hutton (
Garrett Hedlund), a worker at the rehab center who is both a talented local singer/songwriter and Kelly's secret lover. James initially resists, but gives in when he sees Beau calm the stage nerves of Chiles Stanton (
Leighton Meester), another local singer whom James wants to bring on the tour.
As this foursome fall in and out of love, and in and out of each other's beds, Kelly falls deeper and deeper into alcoholism, even though James has planned a comeback show in Dallas -- one year to the day after a spectacular meltdown during a concert where the five-months-pregnant celeb fell ten feet from the stage in a drunken stupor.
At its best,
Country Strong gives us a look inside a marriage struggling through problems -- guilt, grief, and blame -- exacerbated by celebrity and wealth.
Paltrow and
McGraw are quite good. The Canters' relationship isn't black-and-white; they are both complex people full of love and disgust for each other and themselves. The moments the two share -- and they run the gamut from physical altercations to loving pillow talk -- do feel like the genuine result of a life lived together through some intense highs and lows.
Kelly's addiction controls her, but not completely. She's self-destructive, to be sure, yet she's bright enough to see that it's happening, and to feel sorry for the others around her.
Paltrow gets across this tragic quality with finesse, even when the script hammers the point home. For his part,
Tim McGraw gives a smartly nuanced performance -- there's a ton going on inside James, but he's been playing the part of the placating manager for so long he can't quite stop, because it's more comfortable than being a husband to such a troubled woman.
If the movie had focused primarily on the two of them, it would pack a much stronger punch, but instead we spend just as much time with Beau and Chiles.
Hedlund, wearing scruffy facial hair throughout, looks like a cross between
Brad Pitt and
Dax Shepard. He's blandly appealing, like most new-country hat acts, which is unfortunate since the film wants us to believe he's the second coming of
Townes Van Zandt.
Meester actually does a fine job with what amounts to a classic ingenue role -- her scheming is endearingly inept. Their innocence-lost story arcs just aren't nearly as fascinating or complex as the other relationship in the movie.
Many classic country songs are emotionally direct, and tackle messy feelings without necessarily resolving them. Many new-country songs are glossy, feel-good pop tunes that are instantly forgettable.
Country Strong manages to start as the former, but ends as the latter. ~ Perry Seibert, Rovi
- Tom Douglas : Best Original Song - Hollywood Foreign Press Association, 2010
- Tom Douglas : Best Original Song - Academy of Motion Picture Arts and Sc, 2010