1 Overture to Candide, for orchestra - 4:14
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
2 Prelude, Fugue & Riffs, for clarinet & jazz ensemble - (Prelude For The Brass) - 1:49
Performers: Benny Goodman (Clarinet)
Conductor: Leonard Bernstein
3 Prelude, Fugue & Riffs, for clarinet & jazz ensemble - (Fugue For The Saxes) - 1:47
Performers: Benny Goodman (Clarinet)
Conductor: Leonard Bernstein
4 Prelude, Fugue & Riffs, for clarinet & jazz ensemble - (Riffs For Everyone) - 4:15
Performers: Benny Goodman (Clarinet)
Conductor: Leonard Bernstein
5 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - (Prologue - Allegro Moderato) - 4:07
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
6 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - ("Somewhere" Adagio) - 3:51
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
7 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - (Scherzo - Vivace Leggiero) - 1:17
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
8 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - (Mambo - Presto) - 2:14
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
9 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - (Cha-Cha ("Maria") - Andantino Con Grazia) - :53
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
10 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - (Meeting Scene - Meno Mosso) - :47
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
11 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - ("Cool" Fugue - Allegretto) - 3:03
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
12 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - (Rumble - Molto Allegro) - 1:52
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
13 Symphonic Dances (9) from "West Side Story", for orchestra (orchestrated with Ramin & Kostal) - (Finale - Adagio) - 2:52
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
14 Dance Episodes (3) from "On the Town", for orchestra - (1. The Great Lover) - 1:46
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
15 Dance Episodes (3) from "On the Town", for orchestra - (2. Lonely Town: Pas De Deux) - 3:25
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
16 Dance Episodes (3) from "On the Town", for orchestra - (3. Times Square: 1944) - 4:42
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
17 Chichester Psalms, for boy soloist, chorus & orchestra - (1. 108 (Verse 2) / Psalm (100) Complete) - 3:35
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
18 Symphony No. 2 ("The Age of Anxiety"), for piano & orchestra or 2 pianos - (Masques) - 4:34
Performers: Philippe Entremont (Piano)
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
19 Symphony No. 2 ("The Age of Anxiety"), for piano & orchestra or 2 pianos - (Epilogue) - 8:06
Performers: Philippe Entremont (Piano)
Orchestra/Ensemble: New York Philharmonic
Conductor: Leonard Bernstein
This is a quickie reissue of some of Leonard Bernstein's 1960s recordings of his own work. It has no liner notes whatsoever, and the title "America's Maestro" seems rather slapdash -- although Bernstein is conducing these performances, the focus is really on his music rather than his celebrated role as conductor of the New York Philharmonic. Bernstein does, it's true, does provide a counterexample to the maxim that composers make poor interpreters of their own works. He balances his brassy popular rhythms with the larger symphonic dimensions of his music, and these are, in general, vivacious, appealing performances without a hint of composerly self-indulgence.
But the main question for the potential buyer of this disc is whether it provides a good selection of Bernstein's music. The answer is affirmative. With
On the Town, the
Symphonic Dances from West Side Story and the jazzy
Prelude, Fugue, and Riffs included, the scales might seem to be tilted toward the popular side of Bernstein's output, but Bernstein's performances make clear the extent of the interpenetration of his populist side and his Harvard-trained, ultimately Franco-American classical style. Sample the
Symphonic Dances from West Side Story, a work less often heard than it used to be; listen specifically to the dryly graceful orchestration of "Maria," track 9, which is quite a distance from the original tune in the musical. And his fast numbers in
West Side Story work above all because of their angular rhythmic profiles. One wishes in this sectarian day and age for an excerpt from the ecumenical
Mass, but otherwise this is a good introduction to Bernstein's music. Had it been treated with more respect by Sony, it would have done more to show new audiences the music of the man who was perhaps the last composer to resist the division of the American audience into musical subcultures. ~ James Manheim, Rovi