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David Trask (Gary Merrill), the sole survivor of an airplane crash, takes it upon himself to contact the families of the various victims. Though he's already formed preconceived notions of his deceased fellow passengers, he's in for quite a few surprises when he meets the relatives. His first visit is to the wife (Beatrice Straight) and son (Ted Donaldson) of a profoundly troubled doctor (Michael Rennie). His second stop is at a nightclub managed by the domineering mother-in-law (Evelyn Varden) of an aspiring actress (Shelley Winters). Finally, he meets the invalid wife (Bette Davis) of an outwardly obnoxious travelling salesman (Keenan Wynn). After his odyssey into other people's lives, Trask gains a new perspective on his own personal travails. Few studios could pull off the "multi-story film" format as well as 20th Century-Fox, and Phone Call From a Stranger is a grade-A example of that format. ~ Hal Erickson, Rovi
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Disc #1 -- Phone Call from a Stranger
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Disc #1 -- Phone Call from a Stranger
1. Main Titles [1:58]
2. Dear Jane [3:33]
3. Fear Of Flying [5:32]
4. Taking Off [3:46]
5. Forced Landing [2:00]
6. The Four Musketeers [3:14]
7. A Lonely Life [2:53]
8. Dance Night At the Club [2:56]
9. Too Fast [3:12]
10. Figuring People Out [1:20]
11. Mother-In-Law Trouble [2:36]
12. Survivor [4:32]
13. Mrs. Fortness [2:02]
14. Pier 75 [:44]
15. A Decent Man [4:26]
16. The Carrs [2:29]
17. Just the Name [3:01]
18. A Saint [3:00]
19. Beautiful Success [6:14]
20. Mrs. Hoke [3:45]
21. Looking For Happiness [2:46]
22. Subdural Hematoma [3:33]
23. Like a Rock [4:19]
24. The First Plane Out [2:09]
Art Director - Russell J. Spencer
Art Director - Lyle Wheeler
Cinematographer - Milton Krasner
Composer (Music Score) - Franz Waxman
Makeup - Ben Nye, Sr.
Sound/Sound Designer - Eugene Grossman
Sound/Sound Designer - Roger Heman
Special Effects - Ray Kellogg
Phone Call From a Stranger is the kind of studio product that Hollywood produced with considerable polish and flair up through the 1950s. It's a product, not art, and as such it tends to be very concerned with getting things right: the right mixture of character types, the right way of setting up each story so that the audience follows it clearly, the right plot turns that grow naturally out of what has come before. Nunnally Johnson's screenplay accomplishes all that it sets out to do very well and makes the movie very watchable, but there's a calculated precision to it that modern day audiences may find off-putting. It also makes for uncomfortable moments, as when Gary Merrill's character puts off telling the family the fate of one character merely as a means of creating tension in the audience. The screenplay does provide some juicy parts for its generally good cast, however, with Bette Davis turning in a memorable performance and making the most of the setpiece given to her. Shelley Winters also does very well, and Keenan Wynn is excellent as the obnoxious salesman whose blustery demeanor masks genuine tenderness. Even Gary Merrill is more convincing than usual. "Phone Call" is well-done and moderately entertaining but ultimately empty. ~ Craig Butler, Rovi
