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Side #1 --
Play Movie
Scenes
Features
Commentary by John Boorman and Steven Soderbergh
The Rock, Pt. 1
The Rock, Pt. 2
Theatrical Trailer
Languages
Spoken Languages: English
Spoken Languages: Français
Subtitles: English
Subtitles: Français
Subtitles: Español
Subtitles: Off
Chapters
Side #1 --
1. Double Cross. [4:49]
2. Credits. [2:04]
3. I Want the Organization. [3:02]
4. Crashing at Lynne's. [4:14]
5. From Two to Three. [4:46]
6. Runny Memories. [3:03]
7. Spin With Big John. [4:51]
8. Find and Finish Him. [1:39]
9. Nightspot Nastiness. [3:47]
10. Calling on Chris. [3:35]
11. Troublesome Reese. [1:20]
12. The Way In. [2:48]
13. Hung Up on Chris. [2:54]
14. Come On, Kill Me. [4:33]
15. Fall From Disgrace. [5:04]
16. Man for the Job. [3:38]
17. Targets. [3:12]
18. Brewster's House. [5:45]
19. Battling Bedfellows. [4:44]
20. Who Pays? [4:47]
21. Somebody's Gotta Pay. [3:08]
22. Return to Alcatraz. [5:20]
23. I Pay My Debts. [3:18]
24. Cast List. [3:59]
Features
cc
Commentary by director John Boorman and filmmaker Steven Soderbergh
Vintage featurettes The Rock Part 1 and The Rock Part 2
Languages: English & Français
Subtitles: English, Français & Español (feature film only)
Art Director - George W. Davis
Art Director - Albert Brenner
Book Author - Richard Stark
Cinematographer - Philip H. Lathrop
Composer (Music Score) - Johnny Mandel
Costume Designer - Margo Weintz
First Assistant Director - Al Jennings
Makeup - William J. Tuttle
Makeup - John Truwe
Songwriter - Stu Gardner
Sound/Sound Designer - Franklin E. Milton
Special Effects - J. McMillan Johnson
Special Effects - Virgil Beck
John Boorman's Point Blank was one of the most interesting and quietly influential films of late 1960s American cinema. Unashamedly violent, void of morality, and full of "European" experimentation, the film ignored the conventions of typical Hollywood crime thrillers. Compared to the stark grimness of typical crime movies, Point Blank was downright phantasmagoric in its narrative structure, camera placement, color schemes, and sounds. Released just three weeks after the similarly revolutionary Bonnie and Clyde, the film was not an immediate hit with audiences; even though star Lee Marvin was coming off the successful The Dirty Dozen, the film got swept up in the "violence-in-movies" controversy. Where Warren Beatty's Clyde and Faye Dunaway's Bonnie were sympathetic and glamorous, Marvin seemed capable of "bashing somebody's brains out," to paraphrase his famous line from The Dirty Dozen. But the actor's icy menace and Boorman's artistic pretensions have gone on to influence filmmakers to come, most notably Paul Schrader, Martin Scorsese, Brian De Palma, and Quentin Tarantino. ~ Brendon Hanley, Rovi
