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Touted upon its release as the finale of the "Rocky" saga, this fifth entry in the long-running series of sports dramas reunites star Sylvester Stallone with John G. Avildsen, director of the Oscar-winning original. Stallone is Rocky Balboa, suffering from career-ending brain damage as a result of his punishing bout with Ivan Drago at the finale of the previous film. Upon their return to Philadelphia, Rocky and his wife, Adrian (Talia Shire), discover they are broke, their fortune squandered by an incompetent accountant. Forced to move back to their working-class neighborhood, Rocky finds that his only asset is the run-down gym willed to him by Mickey (Burgess Meredith, who appears in new flashback sequences). Resisting big money offered to him by Don King-like boxing promoter George Washington Duke (Richard Gant), Rocky becomes a trainer and finds a talented comer in Tommy Gunn (real-life boxer Tommy Morrison, nephew of John Wayne). Rocky's son (played by Stallone's real-life son Sage Stallone) feels neglected by his father, who lavishes attention on his protégé, but Tommy ultimately turns his back on his mentor to sign a more lucrative deal with Duke, leading to a street-fight showdown. ~ Karl Williams, Rovi
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Chapters
Side #1 -- WS
1. Main Title/Hurt [5:23]
2. Full-Court Press [4:05]
3. Born Again [5:26]
4. Damages [5:11]
5. Memories [6:41]
6. The Old Neighborhood [5:32]
7. Talkin' Business [5:57]
8. Street Fighting [5:29]
9. Home Team [7:39]
10. Training [6:44]
11. Ship Sinking [5:34]
12. Scams and Deceptions [12:06]
13. You and Me [2:52]
14. Title Fight [5:40]
15. The Real Champ [14:06]
16. Family / End Credits [5:28]
Side #2 -- FS
1. Main Title/Hurt [5:23]
2. Full-Court Press [4:05]
3. Born Again [5:26]
4. Damages [5:11]
5. Memories [6:41]
6. The Old Neighborhood [5:32]
7. Talkin' Business [5:57]
8. Street Fighting [5:29]
9. Home Team [7:39]
10. Training [6:44]
11. Ship Sinking [5:34]
12. Scams and Deceptions [12:06]
13. You and Me [2:52]
14. Title Fight [5:40]
15. The Real Champ [14:06]
16. Family / End Credits [5:28]
Art Director - William Joseph Durrell, Jr.
Associate Producer - Tony Munafo
Cinematographer - Victor Hammer
Cinematographer - Steven Poster
Composer (Music Score) - Bill Conti
Executive Producer - Michael S. Glick
Makeup - Michael Westmore
Production Designer - William J. Cassidy
Production Designer - Michael S. Glick
Special Effects - Joe di Gaetano III
Stunts - Bobby Bass
By keeping the emotional stakes at a realistic level, Stallone tells a simple human story about a man having difficulty walking away from his job. Instead of giving the audience some emotionally over-the-top reason for him to continue to fight (the death of a loved one, the love of country), Stallone forces his characters to interact with each other like real human beings. Having Rocky fail as a father (during the early parts of the film) makes him human. For the first time in three films, the audience can see Rocky as someone like themselves. Though the final street fight is silly, and the caricature of Don King is way too obvious, this film serves a purpose. Rocky Balboa ceases to be a superhero and becomes a man again in this movie. He is one of us. This film understands that the vast majority of the audience will never win a boxing title, but many of us would be thrilled to run up the steps of the Philadelphia Art Museum and go home to the woman we love. ~ Perry Seibert, Rovi
