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Additional Cinematography - Mike West
Art Director - Allan Trumpler
Assistant Choreographer - Dyane Harvey
Assistant Hair - Janay Shabbaz
Assistant Makeup - Larry Cherry
Assistant Makeup - Janay Shabbaz
Assistant Production Coordinator - Ali Howard-Smith
Assistant Properties - Christine Soloperto
Assistant Sound Editor - Leo Trombetta
Assistant Sound Editor - J. Kathleen Gibson
Assistant Sound Editor - Brunilda Torres
Assistant Sound Editor - Alex Steyermark
Assistant Sound Editor - Kenton Jakub
Assistant Sound Editor - Rudy Gaskins
Assistant Sound Editor - Dan Korintus
Best Boy Electric - Mark Moore
Best Boy Grip - Tully McCulloch
Boom Operator - Stu Deutsch
Camera Operator - Frank Prinzi
Camera Operator - Leroy Patton
Camera Operator - Sam Enriquez
Casting - Robi Reed
Casting Assistant - Hillary Francais
Casting Assistant - Mikki Powell
Choreography - Otis Sallid
Cinematographer - Ernest R. Dickerson
Composer (Music Score) - Bill Lee
Construction Coordinator - Irby Langley
Costume Designer - Ruth E. Carter
Costume Designer - William Smith
Costumes Supervisor - Jennifer Ingram
Dolly Grip - Scott Leftridge
Executive Producer - Grace Blake
First Assistant Camera - Norman Andrews
First Assistant Camera - Karma Stanley
First Assistant Director - Randy Fletcher
First Assistant Editor - Meredith Woods
Foley Editor - Bruce Kitzmeyer
Gaffer - Larry Banks
Generator Operator - Dennis Peterson
Grip - Bill Bennett
Grip - Daniel Aguar
Grip - Robert Shuford
Hair Styles - Teddy Jenkins
Key Grip - Todd Mcnichol
Leadman - Alba Leone
Makeup - Teddy Jenkins
Music Editor - Louis Cerborino
Musical Performer - Terence Blanchard
Musical Performer - Branford Marsalis
Negative Cutter - Noelle Penraat
Production Assistant - Pam E. Stephens
Production Assistant - Marcus Turner
Production Assistant - Jeff Cooper
Production Designer - Wynn P. Thomas
Production Manager - Matia Karrell
Production Secretary - Tracey Willard
Properties Master - Suzi Margolin
Re-Recording Mixer - Tom Fleischman
Scenic Artist - George Balomes
Scenic Artist - Gretchen Kibbe
Scenic Artist - Suzanne Silver
Scenic Artist - Mark Welch
Script Supervisor - Mindy Rodman
Second Assistant Camera - Samuel Henriques
Second Assistant Director - David Taylor
Second Unit Camera - Mustafa Khan
Set Dresser - Ron Goldsmith
Set Dresser - Richard Webster
Set Dresser - Michael Shannon
Set Production Assistant - Stephanie Astalos Jones
Set Production Assistant - Mustafa Khan
Set Production Assistant - Joe Rodman
Songwriter - Uzee Brown
Songwriter - Tina Harris
Songwriter - Raymond Jones
Songwriter - Marcus Miller
Songwriter - Consuela Lee Morehead
Songwriter - Lenny White
Songwriter - Stevie Wonder
Songwriter - Bill Lee
Songwriter - Mark Stevens
Sound Editor - Kevin Lee
Sound Editor - Ira Spiegel
Sound Editor - Peter Odabashian
Sound/Sound Designer - Maurice Schell
Sound/Sound Designer - Rolf Pardula
Steadicam Operator - Alton Brown
Still Photographer - David Lee
Technical Advisor - Zelmer "Z-Dog" Bothic
Transportation Coordinator - Albert Cooper
Unit Production Manager - Brian O'Kelly
Unit Publicist - Willa Clinton
Spike Lee's second feature boldly went where no film had gone before, to explore the subtleties of prejudice within the African-American community. Lee's petri dish for this experiment is a historically black college, and his subjects are the fraternities and sororities whose membership is largely determined by skin hue. With a large and lively cast, several energetically staged musical production numbers, and plenty of low comedy, Lee effortlessly illustrates his message -- that the most insidious kind of racism comes from within his community -- in a variety of ways. This was a huge leap in ambition over Lee's debut feature, the more ingratiating "She's Gotta Have It", and like his brilliant "Get on the Bus", which dealt with many of the same topics in the context of the Million Man March, it was sadly undervalued by filmgoers on its initial release. ~ Tom Wiener, Rovi
