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Disc #1 -- Taxi Driver: Feature Film
Play Movie
Scene Selections
Previews
Ghost Rider
Vacancy
Perfect Stranger
Close Encounters of the Third Kind
Revenge Director's Cut/Donnie Brasco Extended Cut
The Contractor
Bobby Z
The Last Time
Yellow
Languages
Audio Set Up
English
French/Français
Subtitles
English
English Subtitled Commentary (Writer Paul Schrader)
English Subtitled Commentary (Professor Robert Kolker)
French/Français
Spanish/Español
Subtitles Off
Special Features
Commentary by Professor Robert Kolker: On
Commentary by Professor Robert Kolker: Off
Commentary by Writer Paul Schrader: On
Commentary by Writer Paul Schrader: Off
Original Screenplay
Scene Selections
Start Intro & Credits
Travis Bickle
Tom & Betsy
Wizard's Court
A New Volunteer
Charles Palantine
Aborted Fare
A Date With Betsy
Confrontation
Curbside Cuckold
A Word With Wizard
Running Into Iris
Easy Andy
Henry Krinkle
You Talkin' to Me?
Market Robbery
Late for the Sky
Dear Father & Mother
TV Critic
Looking for Action
A $10 Room
Breakfast With Iris
Dancing With Sport
The Palantine Rally
Suck on This
Shooting Gallery
Bang, Bang, Bang
Dear Mr. Bickle
Previews
Ghost Rider
Vacancy
Perfect Stranger
Close Encounters of the Third Kind
Revenge Director's Cut/Donnie Brasco Extended Cut
The Contractor
Bobby Z
The Last Time
Yellow
Disc #2 -- Taxi Driver: Special Features
Subtitles
English
Japanese
Spanish/Español
Portuguese/Português
Korean
Subtitles Off
Featurettes
Martin Scorsese on Taxi Driver
Producing Taxi Driver
God's Lonely Man
Influence and Appreciation: Martin Scorsese Tribute
Taxi Driver Stories
Making Taxi Driver
Travis' New York
Travis' New York Locations
Play All
The Cab Office
Palentine Office
Columbus Circle
St. Regis Hotel
Porno Theater
226 13th St.
Final Bloodbath
13th St.
Belmore Cafetria
Intro to Storyboards by Martin Scorsese
Storyboard to Film Comparison
Galleries
Play All
Bernard Herrmann Score
On Location
Publicity Materials
Scorsese at Work
Chapters
Disc #1 -- Taxi Driver: Feature Film
1. Start [2:10]
2. Travis Bickle [8:47]
3. Tom & Betsy [4:08]
4. Wizard's Court [4:56]
5. A New Volunteer [8:15]
6. Charles Palantine [2:26]
7. Aborted Fare [2:24]
8. A Date With Betsy [5:47]
9. Confrontation [1:09]
10. Curbside Cuckold [3:53]
11. A Word With Wizard [7:35]
12. Running Into Iris [2:09]
13. Easy Andy [7:21]
14. Henry Krinkle [4:36]
15. You Talkin' to Me? [2:18]
16. Market Robbery [1:42]
17. Late for the Sky [1:37]
18. Dear Father & Mother [2:05]
19. TV Critic [1:16]
20. Looking for Action [3:56]
21. A $10 Room [5:58]
22. Breakfast With Iris [4:56]
23. Dancing With Sport [4:28]
24. The Palantine Rally [3:50]
25. Suck on This [1:40]
26. Shooting Gallery [2:46]
27. Bang, Bang, Bang [3:27]
28. Dear Mr. Bickle [7:48]
1. Jump to This Chapter [2:10]
2. Jump to This Chapter [8:47]
3. Jump to This Chapter [4:08]
4. Jump to This Chapter [4:56]
5. Jump to This Chapter [8:15]
6. Jump to This Chapter [2:26]
7. Jump to This Chapter [2:24]
8. Jump to This Chapter [5:47]
9. Jump to This Chapter [1:09]
10. Jump to This Chapter [3:53]
11. Jump to This Chapter [7:35]
12. Jump to This Chapter [2:09]
13. Jump to This Chapter [7:21]
14. Jump to This Chapter [4:36]
15. Jump to This Chapter [2:18]
16. Jump to This Chapter [1:42]
17. Jump to This Chapter [1:37]
18. Jump to This Chapter [2:05]
19. Jump to This Chapter [1:16]
20. Jump to This Chapter [3:56]
21. Jump to This Chapter [5:58]
22. Jump to This Chapter [4:56]
23. Jump to This Chapter [4:28]
24. Jump to This Chapter [3:50]
25. Jump to This Chapter [1:40]
26. Jump to This Chapter [2:46]
27. Jump to This Chapter [3:27]
28. Jump to This Chapter [7:48]
Features
New commentary by writer Paul Schrader
New commentary by professor Robert Kolker
Martin Scorsese on Taxi Driver
Producing Taxi Driver
God's Lonely Man: Writer Paul Schrader and professor Robert Kolker discuss the loneliness themes as seen in the film. Schrader also talks about what circumstances led to writing the screenplay
Influence and Appreciation: Robert De Niro, Oliver Stone, Roger Corman and others pay tribute to Scorsese and the film
Taxi Driver stories
Making of documentary
Travis' New York: The changes of New York from 1975 to today
Travis' New York Locations: We visit the famous locations in New York City 2006, and compare them to the same locations in 1975
Storyboard to film comparisons with Martin Scorsese introduction
Art Director - Charles Rosen
Camera Operator - Fred Schuler
Casting - Juliet Taylor
Casting - Sylvia Fay
Cinematographer - Michael Chapman
Composer (Music Score) - Bernard Herrmann
Conductor - Jack Hayes
Costume Designer - Ruth Morley
First Assistant Director - Peter R. Scoppa
Makeup - Irving Buchman
Makeup Special Effects - Dick Smith
Musical Direction/Supervision - Dave Blume
Musical Direction/Supervision - Bernard Herrmann
Musical Performer - Uan Rasey
Songwriter - Jackson Browne
Songwriter - Keith Addis
Sound Effects Editor - Frank Warner
Sound/Sound Designer - Les Lazarowitz
Sound/Sound Designer - Richard Alexander
Sound/Sound Designer - Verne Poore
Special Effects - Tony Parmalee
Still Photographer - Paul Kimatian
"I'm God's lonely man," says Travis Bickle, played by Robert De Niro in one of his finest and most memorable performances. Travis, the protagonist and focal point of TAXI DRIVER, is severely out of his element in New York City, though it's hard to imagine where else he would fit in; he goes through life as if the world speaks a dialect unknown to him. He seems incapable of relating to anyone beyond superficial pleasantries or casual violence, and when he does attempt to reach out to others -- to beautiful campaign manager Betsy (Cybil Shepherd), to philosophical cabbie Wizard (Peter Boyle), or to teenage runaway-turned-prostitute Iris (Jodie Foster) -- he runs into a brick wall despite his best intentions, as he can't fully comprehend others and they can't fathom him. Screenwriter Paul Schrader and director Martin Scorsese place this isolated, potentially volatile man in New York City, depicted as a grimly stylized hell on Earth, where noise, filth, directionless rage, and dirty sex (both morally and literally) surround him at all turns. When Travis attempts to transform himself into an avenging angel who will "wash some of the real scum off the street," his murder spree follows a terrible and inevitable logic: he is a bomb built to explode, like the proverbial gun which, when produced in the first act, must go off in the third. While De Niro's masterful performance brings Travis to vivid life, it's Scorsese's dynamic, idiosyncratic visual storytelling (given an invaluable assist by cinematographer Michael Chapman) that provides the perfect narrative context. Capturing New York's underbelly with a palate of reds and yellows that burn with an evil glow, Scorsese fills the story with tiny details and offhand moments that form the fully rounded reality of Travis' fallen world. If De Niro produced one of film's most troubling portraits of a lost soul, Scorsese created a painfully vivid purgatory for him to live in, and, alongside Raging Bull, TAXI DRIVER marks the finest work of this actor/director team. ~ Mark Deming, Rovi
Bernard Herrmann : Anthony Asquith Award - British Academy of Film and Televisio, 1976
Martin Scorsese : Best Picture - British Academy of Film and Televisio, 1976
Jodie Foster : Best Supporting Actress - British Academy of Film and Televisio, 1976
Jodie Foster : Most Promising Newcomer - British Academy of Film and Televisio, 1976
Martin Scorsese : Best Director - Directors Guild of America, 1976
Robert de Niro : Best Performance by an Actor in a Motion Picture - Drama - Hollywood Foreign Press Association, 1976
Paul Schrader : Best Screenplay - Hollywood Foreign Press Association, 1976
Robert de Niro : Best Actor - National Society of Film Critics, 1976
Martin Scorsese : Best Director - National Society of Film Critics, 1976
Jodie Foster : Best Supporting Actress - National Society of Film Critics, 1976
Robert de Niro : Best Actor - New York Film Critics Circle, 1976
Robert de Niro : Best Actor - Academy of Motion Picture Arts and Sc, 1976
Bernard Herrmann : Best Original Score - Academy of Motion Picture Arts and Sc, 1976
Michael Phillips : Best Picture - Academy of Motion Picture Arts and Sc, 1976
Julia Phillips : Best Picture - Academy of Motion Picture Arts and Sc, 1976
Jodie Foster : Best Supporting Actress - Academy of Motion Picture Arts and Sc, 1976
Robert de Niro : Best Actor - Los Angeles Film Critics Association, 1976
Bernard Herrmann : Best Music Score - Los Angeles Film Critics Association, 1976
Jodie Foster : New Generation Award - Los Angeles Film Critics Association, 1976
Martin Scorsese : New Generation Award - Los Angeles Film Critics Association, 1976