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In the last and the best installment of his so-called "Dollars" trilogy of Sergio Leone-directed "spaghetti westerns," Clint Eastwood reprised the role of a taciturn, enigmatic loner. Here he searches for a cache of stolen gold against rivals the Bad (Lee Van Cleef), a ruthless bounty hunter, and the Ugly (Eli Wallach), a Mexican bandit. Though dubbed "the Good," Eastwood's character is not much better than his opponents -- he is just smarter and shoots faster. The film's title reveals its ironic attitude toward the canonized heroes of the classical western. "The real West was the world of violence, fear, and brutal instincts," claimed Leone. "In pursuit of profit there is no such thing as good and evil, generosity or deviousness; everything depends on chance, and not the best wins but the luckiest." Immensely entertaining and beautifully shot in Techniscope by Tonino Delli Colli, the movie is a virtually definitive "spaghetti western," rivaled only by Leone's own Once Upon a Time in the West (1968). The main musical theme by Ennio Morricone hit #1 on the British pop charts. Originally released in Italy at 177 minutes, the movie was later cut for its international release. ~ Yuri German, Rovi
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Disc #1 -- The Good, the Bad and the Ugly - Feature Film
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Scenes
Special Features
Audio Commentary by Historian Richard Schickel: On
Audio Commentary by Historian Richard Schickel: Off
Languages
Spoken Languages: English 5.1 Surround
Spoken Languages: Italian Mono
Subtitles: English
Subtitles: Français
Subtitles: Español
Subtitles: Cantonese
Subtitles: Mandarin
Subtitles: None
Disc #2 -- The Good, the Bad and the Ugly - Special Features
Leone's West
The Leone Style
The Man Who Lost the Civil War
Reconstructing The Good, the Bad and the Ugly
Il Maestro: Ennio Morricone and The Good, the Bad and the Ugly
Music Scholar Jon Burlingame Provides an In-Depth Analysis of Ennio Morricone's Unforgettable Score for The Good, the Bad and the Ugly (Note: This Feature Is Audio Only)
Start
Deleted Scenes
Extended Tuco Torture Scene
The Socorro Sequence: A Reconstruction
French Trailer
Poster Gallery
View Gallery
Original Theatrical Trailer
Other Great MGM Releases
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Escape From New York Collector's Edition
Windtalkers Director's Edition
More Great MGM Releases
A Fistful of Dollars
A Few Dollars More
Hang 'Em High
The Terminator
Rocky
Chapters
Disc #1 -- The Good, the Bad and the Ugly - Feature Film
1. Main Title [2:55]
2. The Ugly [3:04]
3. $500 to Kill [9:02]
4. The Bad [2:22]
5. A Price on Tuco's Head [4:29]
6. Mercy on a Rat's Soul [2:41]
7. Filty Beggars and Angels [3:10]
8. The Good [1:54]
9. A Fallen Woman [2:23]
10. The Price of a Pistol [6:11]
11. Rich and Lonely [3:16]
12. Dixie's Last Hurrah [8:03]
13. Southern Cuisine [4:17]
14. Tracking Blondie [3:24]
15. A Walk in the Sun [8:38]
16. Carson's Last Words [7:34]
17. With Father's Help [8:57]
18. Brother Pablo's Way [6:48]
19. Prisoners of War [6:06]
20. No More Brutality [2:54]
21. A Song for Old Friends [8:38]
22. Different Partner, Same Deal [6:13]
23. A Breakable Bond [3:41]
24. Tuco Takes a Bath [9:03]
25. Death in a Ghost Town [4:53]
26. Qualified Volunteers [6:41]
27. The Daily Slaughter [6:14]
28. A Bridge to History [8:57]
29. Graveyard Shift [6:36]
30. A Shovel for Arch Stanton [3:46]
31. Triangle of Trust [5:45]
32. "...And Those Who Dig" [9:40]
Features
cc
Fully restored with 18 minutes of additional footage
Audio commentary by film historian Richard Schickel
Deleted scenes
"Leone's West" making-of documentary
"The Leone Style" documentary on Sergio Leone
"The Man Who Lost the Civil War" Civil War documentary
"Reconstructing The Good, the Bad and the Ugly" featurette on the audio re-recording
"Il Maestro: Ennio Morricone and The Good, the Bad and the Ugly" featurette on composer Ennio Morricone
Sergio Leone Age Furio Scarpelli Luciano Vincenzoni
Others
Art Director - Carlo Simi
Camera Operator - Franco di Giacomo
Cinematographer - Tonino Delli Colli
Composer (Music Score) - Ennio Morricone
Costume Designer - Carlo Simi
First Assistant Director - Giancarlo Santi
Makeup - Rino Carboni
Musical Direction/Supervision - Bruno Nicolai
Screen Story - Mickey Knox
Sound/Sound Designer - Gonzalo Gavira
Special Effects - Eros Bacciucchi
The last and grandest film in the "Dollars" trilogy, Sergio Leone's The Good, The Bad and the Ugly (1966) is actually a prequel, featuring Clint Eastwood's serape-less Blondie in a search for stolen gold during the Civil War. While the titular trio's quest seems simple, Leone renders the proceedings epic through the constant intrusions of a chaotic, war-torn universe. Rather than an ideal space, Leone's widescreen desiccated western landscape is a harsh environment ruled by brutality, but, as Eastwood's ironically labeled "Good" affirms upon witnessing a fruitless military battle, state-sanctioned bloodshed is even more destructive than individual venality. Still, Blondie's dry wit and Eli Wallach's buffoonish "Ugly" inject the violence with dark humor, while Ennio Morricone's famed score alternates between stately and tongue-in-cheek. In a final shootout set in an enormous circular cemetery and composed of extreme close-ups of the three leads, Leone sends Eastwood's Man With No Name out on a properly operatic yet wry note. The "good" triumphs, but, in Leone's West, it's all relative. Greeted with critical disdain for its stylistic flourishes and sadism, The Good, The Bad, and the Ugly became a hit, and Leone's artistic influence can be seen from Eastwood's directorial work to John Woo's action theatrics. ~ Lucia Bozzola, Rovi