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Disc #1 -- Killer
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Disc #2 -- Killer
Special Features
Deleted Scenes
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Li Defends Jenny as John Watches
The Police Force Looks For John
John and Jenny Find Happiness
John and Jenny Share Breakfast With Sidney
The Hunt Continues
Interview Gallery
Interview With Director John Woo
American Cinematheque Q&A on the Killer (2002)
American Cinematheque Q&A on Hard Boiled (2002)
The Killer Locations
John Woo Trailer Gallery
The Killer Original Theatrical Trailer
The Killer UK Promotional Trailer
Last Hurrah For Chivalry Trailer
A Better Tomorrow Trailer
Hard Boiled Trailer
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English For the Hearing Impaired
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Chapters
Disc #1 -- Killer
1. Innocent Bystander [8:00]
2. Taking Responsibility [4:38]
3. Collateral Damage [5:54]
4. Unlikely Adversaries [3:50]
5. Blood on His Hands [12:49]
6. Rebuffed [5:36]
7. Tables Turned [7:23]
8. Narrow Escape [7:24]
9. Friends Again [6:45]
10. Safe Again [5:57]
11. A Friend's Promise [5:19]
12. Teaming Up [6:26]
13. Time Running Out [3:45]
14. No Way Out [6:35]
15. Friends to the End [7:55]
16. Revenge/End Titles [7:55]
Features
Exclusive inerview with director John Woo
One of the high points of 1980s Hong Kong action cinema, THE KILLER (1989) is considered one of John Woo's most spectacularly assured examinations of honor among violent men on opposite sides of the law. In their operatic reinterpretation of Jean-Pierre Melville's Le Samourai (1967), Woo and frequent star Chow Yun-Fat blend Melville's existential cool with the serious (and seriously violent) passion of Sam Peckinpah, Sergio Leone, and Martin Scorsese, in a story about a hit man's crisis of conscience that pits old-fashioned notions of goodness against modern law enforcement. The artfully choreographed bloodshed becomes a sacrament, as the endless hail of bullets and bodies, particularly in the climactic church shootout, melodramatically heightens the physical cost of Jeff's doomed search for grace. A hit in Hong Kong, THE KILLER further bolstered Woo's reputation internationally and became the most popular Hong Kong film in the U.S. since Bruce Lee's Enter the Dragon (1973). Woo's signature slow-motion action theatrics, face-to-face stand-offs, and two-fisted gunplay influenced numerous 1990s American action directors, most notably Robert Rodriguez and Quentin Tarantino. ~ Lucia Bozzola, Rovi