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Director Michael Mann based this lushly romantic version of the James Fenimore Cooper novel more on his memory of the 1936 film version (starring Randolph Scott) than on Cooper's novel (in fact, Philip Dunne's 1936 screenplay is cited as source material for this film). Set in the 1750s during the French and Indian War, the story concerns Hawkeye (Daniel Day-Lewis), the European-born adopted son of Mohican scout Chingachgook (Russell Means). Hawkeye and his party, which also includes the Mohican Uncas (Eric Schweig), joins up with a group of Britons who have recently arrived in the Colonies. The group consists of Cora Munro (Madeleine Stowe) and her younger sister, Alice (Jodhi May), who are rescued from a Huron war party by Hawkeye. Hawkeye's band accompanies them to the British Fort William Henry, which is being besieged by a French and Huron force. The fort falls to the French, and Colonel Munro (Maurice Roeves) surrenders to French General Montcalm (Patrice Chéreau). The terms of the surrender are that the British merely abandon the fort and return to their homes. However, the French's bloodthirsty ally, the Huron warrior Magua (Wes Studi), has made no such agreement, and, as the British retreat from the fort, he plans to massacre them in a terrible Huron attack. ~ Paul Brenner, Rovi
Menu
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Languages Selection
Cast
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Chapters
Side #1
0. Scene Selection
1. Main Titles [:13]
2. The Deerslayers [:58]
3. The Cameron House [:42]
4. A Call to Arms [1:37]
5. The New Major [:56]
6. The Scotsman's Daughter [2:39]
7. The War Party [1:54]
8. To Fort William Henry [3:55]
9. The Faces Of War [2:30]
10. A Stirring in the Blood [3:21]
11. The Siege [2:51]
12. Magua's Hate [1:10]
13. The Look of Love [2:17]
14. A Run to Fort Edward [3:42]
15. Final Decisions [5:16]
16. The Escape Plan [2:38]
17. Lovers [6:48]
18. Sedition [2:06]
19. The Whole World's on Fire [1:37]
20. Terms For Surrender [2:40]
21. Magua's Pain [3:05]
22. The Defeated [2:39]
23. Magua Strikes [3:12]
24. Escape [2:27]
25. The Falls [3:05]
26. Stay Alive [4:13]
27. Trophies of Honor [3:12]
28. Hayward's Choice [2:15]
29. To Save Alice [6:16]
30. A Father's Revenge [3:18]
31. Last of the Mohicans [2:33]
32. End Titles [2:10]
Features
Anamorphic widescreen [aspect ratio: 2.35:1]
Interactive menus
Scene selection
Audio: DTS English, English 5.1 Surround, English Dolby Surround, French Dolby Surround
Art Director - Robert Guerra
Art Director - Richard Holland
Book Author - James Fenimore Cooper
Casting - Bonnie Timmermann
Cinematographer - Douglas Milsome
Cinematographer - Dante Spinotti
Composer (Music Score) - Trevor Jones
Composer (Music Score) - Randy Edelman
Costume Designer - Elsa Zamparelli
Executive Producer - James G. Robinson
Makeup - Peter Robb-King
Production Designer - Wolf Kroeger
Sound/Sound Designer - Simon Kaye
Sound/Sound Designer - Larry Kemp
Sound/Sound Designer - Lon E. Bender
Sound/Sound Designer - Chris Jenkins
Sound/Sound Designer - Paul Massey
Sound/Sound Designer - Doug Hemphill
Sound/Sound Designer - Mark Smith
Stunts - Mickey Gilbert
Stunts - Mario Roberts
Technical Advisor - Dale Dye
Challenging and stirring entertainment in a decade that seemed to be out of touch with adventure classics, The Last of the Mohicans was inbued with a newfound sensibility and daring by the gifted Michael Mann. An epic tale remarkably condensed into just under two hours of rock-solid storytelling, "Mohicans" operates on its own agenda and breaks a few conventions of the genre, but provides ample rewards. The chemistry between leads Daniel Day-Lewis and Madeleine Stowe is smoldering; their romantic tension is palpable in nearly every scene they share, which makes the central historical tale surrounding them even more urgent and pertinent. The director's knack for introducing American audiences to electric new talent is perfectly evident here, especially in the form of Wes Studi, who is positively chilling, and Jodhi May, who creates true vulnerability in a small but vital character. Also notable is the film's relentlessly accurate depiction of violence in battle, with the typically rousing heroes vs. villains archetypes laid to rest in favor of a more potent and hard-hitting illustration. A sole Oscar winner for Best Sound, The Last of the Mohicans was nonetheless hailed by many critics as one of the year's best films. ~ Jason Clark, Rovi
Daniel Day-Lewis : Best Actor - British Academy of Film and Televisio, 1992
Dante Spinotti : Best Cinematography - British Academy of Film and Televisio, 1992
Elsa Zamparelli : Best Costume Design - British Academy of Film and Televisio, 1992
Peter Robb-King : Best Makeup - British Academy of Film and Televisio, 1992
Trevor Jones : Best Original Score - British Academy of Film and Televisio, 1992
Wolf Kroeger : Best Production Design - British Academy of Film and Televisio, 1992
Simon Kaye : Best Sound - British Academy of Film and Televisio, 1992
Trevor Jones : Best Original Score - Hollywood Foreign Press Association, 1992
Randy Edelman : Best Original Score - Hollywood Foreign Press Association, 1992
Randy Edelman : Best Original Score - British Academy of Film and Televisio, 1993
Dante Spinotti : Best Cinematography - American Society of Cinematographers, 1992
Simon Kaye : Best Sound - Academy of Motion Picture Arts and Sc, 1992
Lon Bender : Best Sound - British Academy of Film and Televisio, 1992
Larry Kemp : Best Sound - British Academy of Film and Televisio, 1992
Chris Jenkins : Best Sound - British Academy of Film and Televisio, 1992
Chris Jenkins : Best Sound - Academy of Motion Picture Arts and Sc, 1992
Paul Massey : Best Sound - British Academy of Film and Televisio, 1992
Doug Hemphill : Best Sound - British Academy of Film and Televisio, 1992
Doug Hemphill : Best Sound - Academy of Motion Picture Arts and Sc, 1992
Mark Smith : Best Sound - Academy of Motion Picture Arts and Sc, 1992
