- Menu
Disc #1, Side A -- Full Screen
Play
Language Selection
Languages: English Mono
Languages: English Stereo
Languages: French Mono
Languages: Spanish Mono
Languages: Commentary
Subtitles: English
Subtitles: Spanish
Subtitles: None
Scene Selection
Special Features
Commentary by Gene Wilder: On
Commentary by Gene Wilder: Off
Theatrical Trailer
The Adventure of Sherlock Holmes' Smarter Brother Trailer
Silver Streak Trailer
Young Frankenstein Trailer
Disc #1, Side B -- Widescreen
Play
Language Selection
Languages: English Mono
Languages: English Stereo
Languages: French Mono
Languages: Spanish Mono
Languages: Commentary
Subtitles: English
Subtitles: Spanish
Subtitles: None
Scene Selection
Special Features
Commentary by Gene Wilder: On
Commentary by Gene Wilder: Off
Theatrical Trailer
The Adventure of Sherlock Holmes' Smarter Brother Trailer
Silver Streak Trailer
Young Frankenstein Trailer
- Chapters
Disc #1, Side A -- Full Screen
1. Contest/Main Titles
2. Tongue Lashing
3. Hardly Unique
4. Lonely at the Top
5. Fame!
6. Number 8
7. "Ain't It Kinda Wonderful"
8. Where's the Baloney?
9. Mrs. Valentino
10. Water, Water Everywhere
11. A Real Lover
12. "Shuffle Off to Buffalo"
13. The Big Moment
14. A Sign From God
15. Mr. Valentino's Tent
16. Lone Voice
17. Get in Line
18. Final Auditions
19. The Greatest
20. Show's Over/End Titles
Disc #1, Side B -- Widescreen
1. Contest/Main Titles
2. Tongue Lashing
3. Hardly Unique
4. Lonely at the Top
5. Fame!
6. Number 8
7. "Ain't It Kinda Wonderful"
8. Where's the Baloney?
9. Mrs. Valentino
10. Water, Water Everywhere
11. A Real Lover
12. "Shuffle Off to Buffalo"
13. The Big Moment
14. A Sign From God
15. Mr. Valentino's Tent
16. Lone Voice
17. Get in Line
18. Final Auditions
19. The Greatest
20. Show's Over/End Titles
- Features
cc
Full-length audio commentary by Gene Wilder
Original theatrical trailer
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Directors
Gene Wilder
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Producers
Gene Wilder
-
-
Composers (Music Score)
John Morris
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Co-Producers
Christopher Greenbury
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Editors
Christopher Greenbury
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Screen Writers
Gene Wilder
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Set Designers
Craig Edgar
John Franco, Jr.
Others
Art Director - Steve Sardanis
Cinematographer - Gerald Hirschfeld
Composer (Music Score) - John Morris
Costume Designer - Darryl Athons
Costume Designer - Phyllis Garr
Costume Designer - Ruth Myers
Featured Music - Walter Donaldson
Featured Music - Gus Kahn
First Assistant Director - Mel Dellar
Production Designer - Terence Marsh
Songwriter - Harry Nilsson
Sound/Sound Designer - Jack Solomon
Sound/Sound Designer - Theodore Soderberg
Special Effects - Logan R. Frazee
Special Effects - Terry Frazee
Stunts Coordinator - Mickey Gilbert
Under the right circumstances, few cinematic comedians can be as funny as
Gene Wilder; unfortunately, circumstances are far from right in
"The World's Greatest Lover", the 1977 film that finds
Wilder wearing far too many hats as star, writer, director and producer. A worthy collaborator in the writing (or, preferably, in the writing and directing) departments would likely have made
"Lover" a quite enjoyable comedy. But left totally to his own devices,
Wilder doesn't really know what to do. The screenplay at one moment is obsessed with shuffling in some gags for their own sake and the next with maniacally getting back to the story at hand. This in itself would not be so bad if the stand-alone gags were truly funny. Regrettably, the majority of "bits" in
"Lover" fall flat, making for some fairly dull stretches. Equally problematic is the fact that the "story" sections of
"Lover" are no great shakes either. The premise wears thin rather quickly, and the Annie-Rudy story just isn't compelling enough, despite a very good and at times inspired performance by
Carol Kane. As an actor,
Wilder is still very watchable here, but he doesn't find the variety in his performance that would it needs. He's too often loud and shrill, which
Wilder does very well; but wild and shrill works better when it's contrasted with quieter, calmer moments. The supporting cast is filled with comic talents of a wide range, and they help; also of note is the impressive look of the film, and
Wilder the director does do a fine job of capturing the atmosphere of 1920s Hollywood. These assets don't save
"Lover", but they do deserve recognition. ~ Craig Butler, Rovi